Documenting an encounter between art-film and multimodality informed by the production of digital moving images.

Hurr, V. (2012) Paper from the PhD project: The kineikonic mode: Developing a multimodal theory of the moving image.

The aim of this project is twofolded, firstly to develop a method to observe social practices within the context of the gallery informed by the field of multimodality and arts-research, and secondly to develop a theoretical framework as a variation on the Kineikonic Mode to analyse how meaning emerges when ‘documenting an encounter’ on the example of Tacita Dean’s FILM using digital moving image media.

Read the working paper on NCRM eprints